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J.K. Rowling Originals

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Hogwarts Ghosts

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Binns teaches the class about the Chamber of Secrets 

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Hogwarts is the most heavily haunted dwelling place in Britain (and this is against stiff competition, as there are more reported ghost sightings/sensings on these damp islands than anywhere else in the world). The castle is a congenial place for ghosts, because the living inhabitants treat their dead friends with tolerance and even affection, no matter how many times they have heard the same old reminiscences.

Each of the four Hogwarts houses has its own ghost. Slytherin boasts the Bloody Baron, who is covered in silver bloodstains. The least talkative of the house ghosts is the Grey Lady, who is long-haired and beautiful.

Hufflepuff house is haunted by the Fat Friar, who was executed because senior churchmen grew suspicious of his ability to cure the pox merely by poking peasants with a stick, and his ill-advised habit of pulling rabbits out of the communion cup. Though a genial character in general, the Fat Friar still resents the fact that he was never made a cardinal.

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JKR Nearly Headless Nick illustration

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Gryffindor house is home to Nearly Headless Nick, who in life was Sir Nicholas de Mimsy-Porpington. Something of a snob, and a less accomplished wizard than he believed, Sir Nicholas lounged around the court of Henry VII in life, until his foolish attempt to beautify a lady-in-waiting by magic caused the unfortunate woman to sprout tusks. Sir Nicholas was stripped of his wand and inexpertly executed, leaving his head hanging off by a single flap of skin and sinew. He retains a feeling of inadequacy with regard to truly headless ghosts.

Another notable Hogwarts ghost is Moaning Myrtle, who haunts an unpopular girls’ toilet. Myrtle was a student at Hogwarts when she died, and she chose to return to school in perpetuity, with the short-term aim of haunting her arch-rival and bully, Olive Hornby. As the decades have rolled by, Myrtle has made a name for herself as the most miserable ghost in school, usually to be found lurking inside one of the toilets and filling the tiled space with her moans and howls.

## J.K. Rowling’s thoughts

The inspiration for Moaning Myrtle was the frequent presence of a crying girl in communal bathrooms, especially at the parties and discos of my youth. This does not seem to happen in male bathrooms, so I enjoyed placing Harry and Ron in such uncomfortable and unfamiliar territory in *Harry Potter and the Chamber of Secrets* and *Harry Potter and the Half-Blood Prince*.

The most productive ghost at Hogwarts is, of course, Professor Binns, the old History of Magic teacher who fell asleep in front of the staff-room fire one day and simply got up to give his next class, leaving his body behind. There is some debate as to whether or not Professor Binns realises he is dead. While his entrance to lessons through the blackboard is vaguely amusing the first time students see it, he is not the most stimulating teacher.

The inspiration for Professor Binns was an old professor at my university, who gave every lecture with his eyes closed, rocking backwards and forwards slightly on his toes. While he was a brilliant man, who disgorged an immense amount of valuable information at every lecture, his disconnect with his students was total. Professor Binns is only dimly aware of his living students, and is astonished when they begin asking him questions.

In the very earliest list of ghosts I ever wrote for Hogwarts, I included Myrtle (initially named ‘Wailing Wanda’), Professor Binns, the Grey Lady (then called ‘the Whispering Lady’) and the Bloody Baron. There was also a Black Knight, The Toad (which left ectoplasm all over its classroom), and a ghost I rather regret not using: his name was Edmund Grubb, and the notes beside his name say: ‘Expired in the doorway of the Dining Hall. Sometimes stops people getting in, out of spite. Fat Victorian ghost. (Ate poisonous berries).’

Thestrals

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Harry sees a Thestral pulling the school carriages for the first time

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Manifesting as black, skeletal, bat-winged horses, but invisible to all who have never been truly touched by death, Thestrals have a somewhat macabre reputation. In centuries past the sight of them was regarded as unlucky; they have been hunted and ill treated for many years, their true nature (which is kindly and gentle) being widely misunderstood. Thestrals are not marks of ill omen, nor (their spooky appearance notwithstanding) are they in any way threatening to humans, always allowing for the fright that the first sight of them tends to give the observer.

Being able to see Thestrals is a sign that the beholder has witnessed death, and gained an emotional understanding of what death means. It is unsurprising that it took a long time for their significance to be properly understood, because the precise moment when such knowledge dawns varies greatly from person to person. Harry Potter was unable to see Thestrals for years after his mother was killed in front of him, because he was barely out of babyhood when the murder happened, and he had been unable to comprehend his own loss. Even after the death of Cedric Diggory, weeks elapsed before the full import of death’s finality was borne upon him. Only at this point did the Thestrals that pull the carriages from Hogsmeade Station to Hogwarts castle become visible to him. On the other hand, Luna Lovegood, who lost her own mother when she was young, saw Thestrals very soon afterwards because she is intuitive, spiritual and unafraid of the afterlife.

While somewhat intimidating in appearance, these carnivorous horses are emblematic of a journey to another dimension, and reward all who trust them with faithfulness and obedience. Thestrals are native to the British Isles and Ireland, though they have been spotted in parts of France and the Iberian Peninsula; they seem to have an association with wizards who descend from the horse-loving Celtic peoples. Other parts of the world have their own equivalent to Thestrals.

Ghost Plots

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Harry, Ron and Hermione in Xenophilius LoveGood's House from The Deathly Hallows.

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## J.K. Rowling’s thoughts

This is a personal expression, which has nothing to do with tales of the dead.

Over the seventeen years that I planned and wrote the seven Harry Potter books (not to mention *Quidditch through the Ages*, *Fantastic Beasts and Where to Find Them* and *The Tales of Beedle the Bard*), I generated a mass of information about the magical world that never appeared in the books. I liked knowing these things (which was fortunate, given that I couldn’t stop my imagination spewing it all out) and often, when I needed a throwaway detail, I had it ready because of the background I had developed.

I also found myself developing storylines for secondary (or even tertiary) characters that were superfluous to requirements. More of a wrench were the plots I worked out for some much more important characters that had to be sacrificed for the bigger story. All of these I inwardly termed ‘ghost plots’, my private expression for all the untold stories that sometimes seemed quite as real to me as the ‘final cut’. I have occasionally been in conversation with a reader and made mention of part of a ghost plot; looks of consternation cross their faces as, for a split second, they ask themselves whether they have accidentally skipped twenty pages somewhere. I apologise to anyone I might have accidentally wrong-footed in this way; the problem is, literally, all in my head.

This is a personal expression, which has nothing to do with tales of the dead.

Remus Lupin

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Lupin leaves his office while Harry and Dumbledore watch

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Ghosts

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Guests dancing at Nearly Headless Nick's deathday party 

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In the world of Harry Potter, a ghost is the transparent, three-dimensional imprint of a deceased witch or wizard, which continues to exist in the mortal world. Muggles cannot come back as ghosts, and the wisest witches and wizards choose not to. It is those with ‘unfinished business’, whether in the form of fear, guilt, regrets or overt attachment to the material world who refuse to move on to the next dimension.

Having chosen a feeble simulacrum of mortal life, ghosts are limited in what they can experience. No physical pleasure remains to them, and their knowledge and outlook remains at the level it had attained during life, so that old resentments (for instance, at having an incompletely severed neck) continue to rankle after several centuries. For this reason, ghosts tend to be poor company, on the whole. They are especially disappointing on the one subject that fascinates most people: ghosts cannot return a very sensible answer on what it is like to die, because they have chosen an impoverished version of life instead.

Ghosts can pass through solid objects without causing damage to themselves or the material, but create disturbances in water, fire and air. The temperature drops in the immediate vicinity of a ghost, an effect intensified if many congregate in the same place. Their appearance can also turn flames blue. Should part or all of a ghost pass through a living creature, the latter will experience a freezing sensation as though they have been plunged into ice-cold water.

Witches and wizards are much more susceptible to what Muggles call paranormal activity, and will see (and hear) ghosts plainly where a Muggle might only feel that a haunted place is cold or ‘creepy’. Muggles who insist that they see ghosts in perfect focus are either a) lying or b) wizards showing off – and in flagrant breach of the International Statute of Secrecy.

Explore J.K. Rowling’s articles on wizarding world themes. The inner workings of the wizarding world with a collection of original writings. 

Explore the inner workings of the wizarding world with a collection of writing from J.K. Rowling

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Boggart

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A Boggart is a shape-shifting creature that will assume the form of whatever most frightens the person who encounters it. Nobody knows what a Boggart looks like if nobody is there to see it, although it continues to exist, usually giving evidence of its presence by rattling, shaking or scratching the object in which it is hiding. Boggarts particularly like confined spaces, but may also be found lurking in woods and around shadowy corners.

The more generally fearful a person is, the more susceptible they will be to Boggarts. Muggles, too, feel their presence and may even glimpse them, although they seem less capable of seeing them plainly and are usually easily convinced that the Boggart was a figment of their imagination.

Like a poltergeist, a Boggart is not and never has been truly alive. It is one of the strange non-beings that populates the magical world, for which there is no equivalent in the Muggle realm. Boggarts can be made to disappear, but more Boggarts will inevitably arise to take their place. Like poltergeists and the more sinister Dementors, they seem to be generated and sustained by human emotions.

The spell that defeats a Boggart can be tricky, because it involves making the creature into a figure of fun, so that fear can be dispelled in amusement. If the caster is able to laugh aloud at the Boggart, it will disappear at once. The incantation is ‘Riddikulus’, and the intention is to force the Boggart to assume a less-threatening and hopefully comical form.

Famous Boggarts include the Old Boggle of Canterbury (believed by local Muggles to be a mad, cannibalistic hermit that lived in a cave; in reality a particularly small Boggart that had learnt how to make the most of echoes); the Bludgeoning Boggart of Old London Town (a Boggart that had taken on the form of a murderous thug that prowled the back streets of nineteenth-century London, but which could be reduced to a hamster with one simple incantation); and the Screaming Bogey of Strathtully (a Scottish Boggart that had fed on the fears of local Muggles to the point that it had become an elephantine black shadow with glowing white eyes, but which Lyall Lupin of the Ministry of Magic eventually trapped in a matchbox).

The Quill of Acceptance and The Book of Admittance

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Quill of Acceptance and Book of Admittance

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In a small locked tower, never visited by any student at Hogwarts, sits an ancient book that has not been touched by human hands since the four founders placed it there on completion of the castle.  Beside the book, which is bound in peeling black dragon-hide, stands a small silver inkpot and from this protrudes a long, faded quill.  These are the Quill of Acceptance and the Book of Admittance and they constitute the only process by which students are selected for Hogwarts School of Witchcraft and Wizardry.

If anybody understands what powerful and long-lasting magic causes this book and quill to behave as they do, nobody has ever confessed to it, doubtless because (as Albus Dumbledore once sighed) it saves the staff tedious explanations to parents who are furious that their children have not been selected for Hogwarts.  The Book and Quill’s decision is final and no child has ever been admitted whose name has not first been inscribed on the book’s yellowing pages.

At the precise moment that a child first exhibits signs of magic, the Quill, which is believed to have been taken from an Augurey, floats up out of its inkpot and attempts to inscribe the name of that child upon the pages of the Book (Augurey feathers are known to repel ink and the inkpot is empty; nobody has ever managed to analyse precisely what the silvery fluid flowing from the enchanted Quill is). 

Those few who have observed the process (several headmasters and headmistresses have enjoyed spending quiet hours in the Book and Quill’s tower, hoping to catch them in action) agree that the Quill might be judged more lenient than the Book.  A mere whiff of magic suffices for the Quill.  The Book, however, will often snap shut, refusing to be written upon until it receives sufficiently dramatic evidence of magical ability.

Thus, the very moment that Neville Longbottom was born, the Quill attempted to write his name and was refused by the Book, which snapped shut.  Even the midwife who attended Alice Longbottom had failed to notice that Neville managed to shift his blankets more snugly over himself moments after birth, assuming that his father had tucked the baby in more securely.  Neville’s family persistently missed faint signs of magic in him and not until he was eight years old did either his disappointed great aunts and uncles, or the old stickler of a Book, accept that he was truly a wizard, when he survived a fall that should have killed him.

In fact, the Book’s sternness has a purpose: its track record in keeping Squibs out of Hogwarts is perfect.  Non-magic children born to witches and wizards occasionally have some small, residual aura of magic about them due to their parents, but once their parents’ magic has worn off them it becomes clear that they will never have the ability to perform spells.  The Quill’s sensitivity, coupled with the Book’s implacability, has never yet made a mistake.

The Mirror of Erised  

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The Mirror of Erised is a very old device. Nobody knows who created it, or how it came to be at Hogwarts School. A succession of teachers have brought back interesting artefacts from their travels, so it might have arrived at the castle in this casual manner, either because the teacher knew how it worked and was intrigued by it, or because they did not understand it and wished to ask their colleagues’ opinions.

The Mirror of Erised is one of those magical artefacts that seems to have been created in a spirit of fun (whether innocent or malevolent is a matter of opinion), because while it is much more revealing than a normal mirror, it is interesting rather than useful. Only after Professor Dumbledore makes key modifications to the mirror (which has been languishing in the Room of Requirement for a century or so before he brings it out and puts it to work) does it become a superb hiding place, and the final test for the impure of heart.

The mirror’s inscription (‘erised stra ehru oyt ube cafru oyt on wohsi’) must be read backwards to show its true purpose.

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JKR Mirror of Erised illustration

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## Author’s note

Albus Dumbledore’s words of caution to Harry when discussing the Mirror of Erised express my own views. The advice to ‘hold on to your dreams’ is all well and good, but there comes a point when holding on to your dreams becomes unhelpful and even unhealthy. Dumbledore knows that life can pass you by while you are clinging on to a wish that can never be – or ought never to be – fulfilled. Harry’s deepest yearning is for something impossible: the return of his parents. Desperately sad though it is that he has been deprived of his family, Dumbledore knows that to sit gazing on a vision of what he can never have, will only damage Harry. The mirror is bewitching and tantalising, but it does not necessarily bring happiness.

The Sword of Gryffindor

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Harry reads the engraving on Gryffindor's Sword with Dumbledore.

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The sword was made to Godric Gryffindor’s specifications by Ragnuk the First, finest of the goblin silversmiths, and therefore King (in goblin culture, the ruler does not work less than the others, but more skilfully). When it was finished, Ragnuk coveted it so much that he pretended that Gryffindor had stolen it from him, and sent minions to steal it back. Gryffindor defended himself with his wand, but did not kill his attackers. Instead he sent them back to their king bewitched, to deliver the threat that if he ever tried to steal from Gryffindor again, Gryffindor would unsheathe the sword against them all.

The goblin king took the threat seriously and left Gryffindor in possession of his rightful property, but remained resentful until he died. This was the foundation for the false legend of Gryffindor’s theft that persists, in some sections of the goblin community, to this day.

The question of why a wizard would need a sword, though often asked, is easily answered. In the days before the International Statute of Secrecy, when wizards mingled freely with Muggles, they would use swords to defend themselves just as often as wands. Indeed, it was considered unsporting to use a wand against a Muggle sword (which is not to say it was never done). Many gifted wizards were also accomplished duellists in the conventional sense, Gryffindor among them.

There have been many enchanted swords in folklore. The Sword of Nuadu, part of the four legendary treasures of Tuatha Dé Danann, was invincible when drawn. Gryffindor’s sword owes something to the legend of Excalibur, the sword of King Arthur, which in some legends must be drawn from a stone by the rightful king. The idea of fitness to carry the sword is echoed in the sword of Gryffindor’s return to worthy members of its true owner’s house.

## Author’s note

There is a further allusion to Excalibur emerging from the lake when Harry must dive into a frozen forest pool to retrieve the sword in *Deathly Hallows* (though the location of the sword was really due to a spiteful impulse of Snape’s to place it there), for in other versions of the legend, Excalibur was given to Arthur by the Lady of the Lake, and was returned to the lake when he died.

Within the magical world, physical possession is not necessarily a guarantee of ownership. This concept applies to the three Deathly Hallows, and also to Gryffindor’s sword. 

I am interested in what happens when cultural beliefs collide. In the Harry Potter books, the most militant of the goblin race consider all goblin-made objects to be theirs by right, although a specific object might be made over to a wizard for his lifespan upon a payment of gold. Witches and wizards, like Muggles, believe that once payment has been made, the object belongs to them and their descendants or legatees in perpetuity. This is a clash of values without a solution, because each side has a different concept of what is right. It therefore presents Harry with a difficult moral dilemma when Griphook demands the sword as payment for his services in *Deathly Hallows*.

The Sorting Hat

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The famous Hogwarts Sorting Hat gives an account of its own genesis in a series of songs sung at the beginning of each school year. Legend has it that the hat once belonged to one of the four founders, Godric Gryffindor, and that it was jointly enchanted by all four founders to ensure that students would be sorted into their eponymous houses, which would be selected according to each founder’s particular preferences in students.

The Sorting Hat is one of the cleverest enchanted objects most witches and wizards will ever meet. It literally contains the intelligence of the four founders, can speak (through a rip near its brim) and is skilled at Legilimency, which enables it to look into the wearer’s head and divine his or her capabilities or mood. It can even respond to the thoughts of the wearer.

The Sorting Hat is notorious for refusing to admit it has made a mistake in its sorting of a student. On those occasions when Slytherins behave altruistically or selflessly, when Ravenclaws flunk all their exams, when Hufflepuffs prove lazy yet academically gifted and when Gryffindors exhibit cowardice, the Hat steadfastly backs its original decision. On balance, however, the Hat has made remarkably few errors of judgement over the many centuries it has been at work.

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JKR Sorting Hat illustration

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## Author’s note

The Sorting Hat does not appear in my earliest plans for Hogwarts. I debated several different methods for sorting students (because I knew from early on that there would be four houses, all with very different qualities). The first was an elaborate, Heath Robinson-ish machine that did all kinds of magical things before reaching a decision, but I did not like it: it felt at once too complicated, and too easy. Next I placed four statues of the four founders in the Entrance Hall, which came alive and selected students from the throng in front of them while the school watched. This was better, but still not quite right. Finally, I wrote a list of the ways in which people can be chosen: eeny meeny miny mo, short straws, chosen by team captains, names out of a hat – names out of a talking hat – putting on a hat – the Sorting Hat.

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Cauldrons

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Professor Slughorn teaches potions to Harry's class

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A naked flame is essential for the making of potions, which makes cauldrons the most practical pot of all.

All cauldrons are enchanted to make them lighter to carry, as they are most commonly made of pewter or iron. Modern inventions include the self-stirring and collapsible varieties of cauldron, and pots of precious metal are also available for the specialist, or the show-off.

## Author’s note

Cauldrons have had a magical association for centuries. They appear in hundreds of years’ worth of pictures of witches, and are also supposed to be where leprechauns keep treasure. Many folk and fairy tales make mention of cauldrons with special powers, but in the Harry Potter books they are a fairly mundane tool. I did consider making Helga Hufflepuff’s hallow a cauldron, but there was something slightly comical and incongruous about having such a large and heavy Horcrux; I wanted the objects Harry had to find to be smaller and more portable.  However, a cauldron appears both in the four mythical jewels of Ireland (its magical power was that nobody ever went away from it unsatisfied) and in the legend of The Thirteen Treasures of Britain (the cauldron of Dyrnwch the giant would cook meat for brave men, but not for cowards).

The Hogwarts Express

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The Hogwarts Express steaming through the country side

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Some rode broomsticks (a difficult feat when carrying trunks and pets); others commandeered enchanted carts and, later, carriages; some attempted to Apparate (often with disastrous effects, as the castle and grounds have always been protected with Anti-Apparition Charms), others rode a variety of magical creatures.

In spite of the accidents attendant on these various modes of magical transport, not to mention the annual Muggle sightings of vast numbers of airborne wizards travelling northwards, it remained the responsibility of parents to convey their children to school, right up until the imposition of the International Statute of Secrecy in 1692. At this point, it became a matter of urgency to find some more discreet method of transporting hundreds of wizarding children from all over Britain to their secret school in the Highlands of Scotland.

Portkeys were therefore arranged at collecting points all over Britain. The logistics caused problems from the start. Up to a third of students would fail to arrive every year, having missed their time slot, or been unable to find the unobtrusive enchanted object that would transport them to their school. There was also the unfortunate fact that many children were (and are) ‘Portkey-sick’, and the hospital wing was frequently full to bursting for the first few days of every year, while susceptible students overcame their hysterics and nausea.

While admitting that Portkeys were not an ideal solution to the problem of school transportation, the Ministry of Magic failed to find an acceptable alternative. A return to the unregulated travel of the past was impossible, and yet a more secure route into the school (for instance, permitting a fireplace that might be officially entered by Floo powder) was strongly resisted by successive Headmasters, who did not wish the security of the castle to be breached.

A daring and controversial solution to the thorny problem was finally suggested by Minister for Magic Ottaline Gambol, who was much intrigued by Muggle inventions and saw the potential in trains. Where exactly the Hogwarts Express came from has never been conclusively proven, although it is a fact that there are secret records at the Ministry of Magic detailing a mass operation involving one hundred and sixty-seven Memory Charms and the largest ever mass Concealment Charm performed in Britain. The morning after these alleged crimes, a gleaming scarlet steam engine and carriages astounded the villagers of Hogsmeade (who had also not realised they had a railway station), while several bemused Muggle railway workers down in Crewe spent the rest of the year grappling with the uncomfortable feeling that they had mislaid something important.

The Hogwarts Express underwent several magical modifications before the Ministry approved it for school use. Many pure-blood families were outraged at the idea of their children using Muggle transport, which they claimed was unsafe, insanitary and demeaning; however, as the Ministry decreed that students either rode the train or did not attend school, the objections were swiftly silenced.

Platform Nine and Three-Quarters

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The Hogwarts Express at platform nine and three-quarters.

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## Author’s note

In choosing the number of the concealed platform that would take young witches and wizards to boarding school, I decided that it would have to be a number between those of the Muggle platforms – therefore, it was clearly a fraction. This raised the interesting question of how many other fractional platforms lay between the whole-numbered platforms at King’s Cross, and I concluded that there were probably quite a few. Although these are never mentioned in the book, I like to think that it is possible to take a version of the Orient Express off to wizard-only villages in continental Europe (try platform seven and a half), and that other platforms may be opened on an as-required-basis, for instance for large, one-off events such as Celestina Warbeck concerts (see your ticket for details).

The number nine and three-quarters presented itself without much conscious thought, and I liked it so much that I took it at once. It is the ‘three-quarters’ that makes it, of course.

In choosing the number of the concealed platform that would take young witches and wizards to boarding school, I decided...

Marge Dursley

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MargeDursley PM B3C2M1 AuntMargeBlownUpFloatingInDurselysDiningRoomWithVernon Moment

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Marjorie Eileen Dursley is the older sister of Vernon Dursley. Although no blood relation of Harry Potter, he has been taught to call her ‘Aunt Marge’.

Marge is a large and unpleasant woman whose main interest in life is breeding bulldogs. She believes in corporal punishment and plain speaking, which is what she calls being offensive. Marge is secretly in love with a neighbour called Colonel Fubster, who looks after her dogs when she is away. He will never marry her, due to her truly horrible personality. This unrequited passion fuels a lot of her nasty behaviour to other people.

Marge dotes on Dudley, her only nephew. She does not know that Harry Potter, who lives with her relatives, is a wizard. She believes him to be the offspring of two unemployed layabouts who dumped their son on their hardworking relatives, Vernon and Petunia. The latter, who are terrified of the prejudiced and outspoken Marge finding out the truth, have fostered this impression over many years.

When Harry becomes angry with Aunt Marge, who has been insulting his parents, and loses control over his magical abilities, she is blown up like a barrage balloon. Two members of the Accidental Magic Reversal Squad must be dispatched from the Ministry of Magic to deal with this incident and modify Aunt Marge’s memory. From that time forward, the Dursleys do not invite Marge to stay while Harry is in residence and he never sees her again.

## Author’s note

I regret making Aunt Marge a breeder of bulldogs, as I now know them to be a non-aggressive breed. My sister owns one and he’s the most loveable, affectionate dog you could hope to meet. On the other hand, they do look grumpy, and on appearance alone seemed to suit Aunt Marge.

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